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Scores updated at 11:00am on 2/23 to reflect the latest reviews. The gameplay is simple; the story is not One of the most heavily-anticipated game releases of the year, Quantic Dream's Playstation 3 exclusive Heavy Rain (Rated M) arrives in stores this week amid a deluge of critical acclaim. Its early Metascore of 88 marks the game as 2010's second-highest-scoring PS3 release to date. And, unlike most high-scoring titles, Heavy Rain isn't a sequel; instead, it introduces a new story and concept. While many modern videogames are hailed for their "cinematic" qualities, Heavy Rain is one of the most movie-like games to date, with the narrative -- a noir-like serial killer mystery -- clearly the emphasis. The drama unfolds in response to choices made by players, which are indicated using a unique, context-dependent control scheme. Make one too many wrong choices, and your character could die -- but that death factors into the story, while you continue playing as one of the other major characters. Below, we'll find out exactly what makes Heavy Rain such a special release, and see why a few critics weren't quite so impressed. But first, here's how the game compares to other PS3 releases (through February 23rd): 2010's Best Games So Far - Playstation 3 Game Publisher Genre Metascore User Score 1 BioShock 2 2K Games First-Person Shooter 88 8. 9 2 Heavy Rain Sony Adventure 7. 4 3 Bayonetta Sega Action 86 7. 3 4 Darksiders THQ Action-Adventure 82 8. 4 5 MAG 76 8. 3 All-Time Best "Original" Titles - Playstation 3 Year LittleBigPlanet 2008 95 6. 4 BioShock 94 8. 0 Braid Hothead 2009 93 Rock Band EA 2007 92 8. 7 Demon's Souls Atlus USA 89 6 Dead Space 9. 2 7 Uncharted: Drake's Fortune 8. 8 8 2010 9 Critter Crunch Capybara 87 9. 7 10 Dragon Age: Origins 7. 5 All-Time Best Platform Exclusive Titles - Playstation 3 Uncharted 2: Among Thieves 96 9. 3 Metal Gear Solid 4: Guns of the Patriots Konami Killzone 2 91 Ratchet & Clank Future: Tools of Destruction Ninja Gaiden Sigma Tecmo 8. 1 Let's take a closer look at what game reviewers are saying about Heavy Rain: Overall concept and story A playable movie Ostensibly an adventure game, Heavy Rain better fits into the "interactive movie" genre -- where the unfolding narrative takes precedence over absolute player control. This is not a game where you actively control a major character in a predetermined story a la a God of War or Halo; instead, you mostly work in the background, guiding characters in a world where your actions ultimately determine their fates. --GameSpy (Note that while this approach sets Heavy Rain apart from most contemporary games, it does make it similar to Quantic Dream's previous release, Indigo Prophecy 83 -- although the new title is considered the superior of the two games. ) Virtually every review highlighted the movie-like aspects of Heavy Rain, some more explicitly than others. Heavy Rain has much more in common with films like Steven Soderbergh's Traffic or P. T. Anderson's Magnolia than it does with any game. --GamePro GamePro also praised the game for involving players so directly and actively in the narrative, rather than merely displaying the story through cutscenes or similar non-interactive techniques common elsewhere. In fact, that publication called Heavy Rain's story "one of the most arresting and engaging ever tried in a video game. " Of course, not every reviewer used the movie metaphor. GameZone, among others, compared Heavy Rain to a book: Heavy Rain is a game that epitomizes the concept that games are interactive novels. The story Many other publications lauded the story. The Onion A. V. Club enjoyed Heavy Rain's "horrifying scares and raw tension, " while Eurogamer called it "a thrilling mystery, cleverly composed, and unlike anything else you will play this year. " And numerous critics praised the emotional connection that forms between player and characters. When their lives are in danger, you'll care about whether or not they survive, and if they do die, you'll almost certainly mourn their absence. --VideoGamer Heavy Rain is an intensely absorbing experience that meticulously conveys the tension, urgency, surprise, and tragedy that its characters feel.... The adaptive plot of Heavy Rain becomes a deeply personal sum of your experiences. --Gamespot Several critics, however, found that the first few hours of Heavy Rain contain too many mundane events (yes, at one point you do get to brush your teeth) and not enough action. But IGN noted that while the game starts slow, once it picks up, "you'll be on the edge of your seat until the end and you won't want to put the controller down. " That publication added: Games have come pretty far in terms of how well stories are told and the level of writing quality that some of them are able to achieve, but Heavy Rain is easily amongst the best that's ever been put onto a disc. Not every publication praised the story unequivocally, however. If it were a film, Heavy Rain’s story wouldn’t exactly win an Oscar. But having control of events, and a personal connection to the characters, makes it seem that much more interesting. --Wired Some publications were more negative -- make that extremely negative: The fact is that if you strip away the beautiful imagery, the stirring musical score, the clever camera angles and the expressive facial animations, what you’re left with is a fairly gratuitous, schlocky and unoriginal story, packed with clunkily presented excesses which at times veer towards the comical.... Heavy Rain is a movie alright, but frankly, it’s not a very good one. --Games Radar And Eurogamer, though enjoying the story, did complain about some cliches in the dialogue. Rated M for murderousness If Heavy Rain is indeed like a movie, it's a thriller with mature themes and scenes of grisly violence. In fact, many reviewers cited Saw and Se7en as the movies that Heavy Rain most resembles. [Heavy Rain is] the first game to live up to the Mature rating. --The Onion A. Club [Heavy Rain has] some of the most intense and sometimes terrifying sequences ever found in a game. --Destructoid The M rating isn't just for violence, by the way; there's also nudity, for those of you concerned (or attracted) by such things. The ending... and starting over The ending of the game is not set in stone; it depends on the choices you make along the way. While most critics enjoyed their ultimate fates -- and advised playing through the entire game from start to finish, no matter what happens to your character(s) -- at least one reviewer wasn't completely satisfied at the end: Heavy Rain’s solution is to split up the ending into a slew of brief, disconnected vignettes. It doesn’t feel like a proper denouement — more like watching a YouTube playlist. --Wired Destructoid actually hated the game's "inept" conclusion: The narrative, like the game, starts off incredibly slowly, gets very interesting toward the middle, and then becomes the worst shambles of deus ex machina and incredibly stupid plot twists that you could hope to find. On the other hand, IGN advised that the payoff at the end even justifies a replay of the full game: If you're going through a second, different playthrough, you won't see a ton of changes until the conclusion, but it'll be worth it. Gamespot disagreed about Heavy Rain's replayability, however: It's hard to actually go back and play through the game differently once you've completed it. Gameplay The consensus appears to be that while Heavy Rain may not be an "easy" game in terms of difficulty level, the controls and gameplay mechanics themselves are simple enough for even a gaming novice to pick up quickly. The gameplay underneath proves as simple as the wrapping is extravagant. --Wired Making decisions involves pressing buttons in response to context-sensitive choices that display on the screen, while action sequences involve button presses and/or movements in response to a series of symbols flashed on the screen (these are the "quick time events" that you have been reading about). It doesn't necessarily sound exciting on paper, but it proved to be engaging for most reviewers -- and it also means that there are no controls to memorize in order to succeed at the game. The range of flicks, motions and holds becomes an intuitive shorthand for the actions they set in motion, in a way that a more traditional control scheme would be unable to match without praying on your patience and muscle memory. --Eurogamer Although you're still matching button prompts, Heavy Rain feels much more like you're choosing and influencing what happens in the game, rather than simply reacting to it. --IGN Simply pressing a button may not sound compelling at first, but when your character’s finger in on the trigger, or when a child’s life rests in your hands, that single motion is just as intense as any boss fight. --GameInformer By the time you've finished things, what first felt a bit like a cheesy "push the flashing button! " moment becomes an opportunity to see where it all could have gone differently. Most importantly, though, the icon-driven sequences are fun -- and not just in a quick reaction time test sort of way. --TotalPlayStation You'll find yourself standing in awe at doing something as pedestrian as changing a baby's diaper. --1Up Simple didn't translate into "good" for every critic. For example, GameSpy -- among many publications -- was not fond of the player movement controls: Moving characters is generally awkward, with depth perception being a particular issue. 1Up had similar complaints: Holding down R2 lets you walk around the environments and the Left analog stick changes directions. At best, this process is cumbersome and by far the weakest part of the experience. It's never out and out bad, but I was never completely comfortable doing it either. On the other hand, that publication loved how the game felt (literally) when using a DualShock 3 controller: I don't think any game has used the rumble feature this effectively since the original Metal Gear Solid. Another unique feature in Heavy Rain is the ability to hear your character's thoughts, but whether this functionality adds anything to the game is debatable. The game is arguably more mysterious and attractive, and no less playable, if you ignore this. --Eurogamer Graphics The consensus? Graphics are strong -- and fantastically detailed -- but certainly aren't flawless. First, the good news: VideoGamer called the visuals "astonishingly beautiful, " and other critics also had high praise: The graphics are incredible, with attention to detail that is remarkable. --GameZone The quality and detail of Heavy Rain's sets are truly spectacular -- whether it's a faded wallpaper pattern or dilapidated apartment, this is a world that feels lived-in and genuine. --1Up The visual design of the various environments is outstanding, and whether you're visiting a dirty double-wide or an intensely creepy room filled with webcams streaming live video to nearby TVs, the painstaking amount of detail that went into constructing each locale is incredible. --Gamespot Everything down to the milk cartons and potato chips in a small grocery store has been crafted in high-resolution detail. It’s nothing you’ll notice for more than a few seconds at a time, but these details go well beyond the call of duty. --Game Revolution 1Up, however, also found some of the character animations -- which were developed through the use of performance capture -- "inelegant, " with an "occasionally wooden appearance. " In fact, it was the characters -- rather than the backgrounds and settings -- that were the source of most complaints. If you followed Heavy Rain prior to its release, then you've likely heard the term "uncanny valley" tossed around when describing the characters' faces. It's true: They're very realistic, but they're also off enough to make you feel uneasy at times, like something's not quite right. --GameSpy Not every publication found fault in the character design, however: Facial detail is capable of sufficient subtlety that one of the defining twists is foreshadowed by twitches you can go back and look for afterwards and curse yourself for not noticing. --Eurogamer Other critics also noted some minor annoyances, but most, like TotalPlayStation, found them easy to ignore given the strength of the visuals as a whole: Framerate issues, tearing, textures that aren't always as sharp as the main characters. Yes, these all appear here, and yet one look at the loading screen where you can see individual pores and hairs growing out of faces blows 'em all away. Sound and voice acting Many publications were distracted by the use of non-American voice actors, who were able to mimic their characters' American accents to varying degrees of success. One standout flaw is that while most characters are supposed to be American, some of the actors clearly aren't and their accents tend to slip through, making their line deliveries sound weird at times. --IGN However, that publication added: Really, when compared to most games, Heavy Rain has what would be considered very good voice acting. It's just that when so much of the experience is focused on it, you tend to notice the flaws a good deal more. The voice acting... is atrocious for the most part, but the music, at least, goes some way toward making up for that. --Destructoid The music was enjoyed by other critics as well. TotalPlayStation found the soundtrack, save for a brief lapse into stock music, "pitch-perfect:" The effects work is absolutely fantastic and for the most part the somber, melancholy tone of the soundtrack is phenomenal. Final thoughts Aside from a few complaints with some character graphics and the movement controls, critics (outside of a small group of detractors) generally had little negative to say about the game itself. That doesn't mean that everyone loved it, or that you will too: the ultimate deciding factor seems to be how willing you are to involve yourself in a piece of interactive fiction, rather than playing a conventional game where you have more control over your actions. When it’s good, it’s good in ways that traditional games rarely touch. --Wired Heavy Rain attempts to bridge the impossible gap between emotion and physicality, and it succeeds... Like any exemplary film or piece of literature, Heavy Rain will have people talking long after the credits roll. --GamePro It is barely a game in the popular sense of the word, but Quantic Dream’s masterpiece makes groundbreaking strides in storytelling and character development, demonstrating that interactive entertainment still has a deep well of untapped potential. --GameInformer Your take What do you think of Heavy Rain? Is it as good as most critics said, or do you agree with complaints about the story? How do you feel about this style of game? Let us know in the comments section below.
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Watch Stream Inside the main page. Watch Stream Inside the rain man. Inside the Rain Movie - Official Website Synopsis & Cast College film student Benjamin Glass (played by writer-director Aaron Fisher) has it all: ADHD, OCD, borderline personality. And he’s also bipolar. But Glass is more than his diagnoses - he prefers the term “recklessly extravagant” - and he’s determined to prove his genius. When a misunderstanding threatens to expel him from college, Glass pushes back; he plans on recreating the incident on video, with the help of a moonlighting sex worker (Ellen Toland) to clear his name. But how will he raise the money for the film, when his parents dismiss the scheme as another manic episode? Inside the Rain is a wincingly funny rom-com-drama, anchored by off-kilter performances by co-stars Aaron Fisher and Ellen Toland. The colorful ensemble cast includes Rosie Perez as a tough love shrink, Eric Roberts as an unhinged film producer, and Catherine Curtin and Paul Schulze as the long-suffering parents. The ultimate underdog film and proof that if you believe in yourself, anything is possible. back; he plans on recreating the incident on video, with the help of a moonlighting sex... worker (Ellen Toland) to clear his name. But how will he raise the money for the film, when his parents dismiss the scheme Inside the Rain is a wincingly funny rom-com-drama, anchored by off-kilter performances by Ellen Toland. The colorful ensemble cast includes Rosie Perez as a tough love shrink, Eric producer, and Catherine Curtin and Paul Schulze as the long-suffering parents. The ultimate Expand All AARON FISHER BEN GLASS ELLEN TOLAND EMMA TAYLOR ROSIE PEREZ DR. HOLLOWAY ERIC ROBERTS MONTGOMERY (MONTY) PENNINGTON CATHERINE CURTIN NANCY GLASS PAUL SCHULZE DAVE GLASS SCREENINGS Los Angeles, CA Laemmle Monica Film Center.
Watch stream inside the rain online. MOVIES 11:54 AM PDT 3/16/2020 by Courtesy of Film Film-as-therapy may speak to those with similar diagnoses. 3/20/2020 Aaron Fisher stars in his writing/directing debut, playing a bipolar man who's being expelled from college. A college student proud of his array of mental disorders reacts oddly to being expelled in Inside the Rain, Aaron Fisher's feature writing/directing/acting debut. Released with the imprimatur of Christine Vachon's Killer Films and some familiar faces in the cast, the film promises to be a much more daring self-portrait than it is: Assessing his own and his character's mental illness simultaneously, Fisher stirs a spoonful of self-awareness into a gallon of wish-fulfillment and serves it up with ill-advised allusions to J. D. Salinger's Glass stories. While some who share his struggles may be happy to see Fisher telling his own story here, very little in the self-portrait rings true. Fisher's Ben Glass is barely settling into his new school when a romantic frustration involving fellow student Daisy (Katie Claire McGrath) leads him to attempt suicide. This is the sort of (imaginary? ) liberal-arts college where the dean comes to visit you in the E. R. when you overdose on pills; but a strict "two strikes" policy guarantees expulsion if you do it again. That's what happens when Daisy, visiting Ben's dorm room to make sure he's doing okay, mistakenly thinks he's preparing for a second suicide attempt. Indignant about being expelled, Ben vows to appeal; with manic tenacity, he's convinced the best way to do this is to make a short film explaining what happened. His therapist (Rosie Perez) and parents (Paul Schulze and Catherine Curtin) know this is a terrible idea, but a washed-up movie producer associate of Dad's says otherwise. Monty Pennington (Eric Roberts), upon hearing that Ben wants his film to have a real, cinematic look, knowingly says he can do it for a price: "You know, that's gonna cost you no less than — fifty-five hundred dollars. " Perhaps Ben's determination would wane if he hadn't already met his leading lady: Emma (Ellen Toland), an escort/model/stripper who goes out of her way not to exploit the naive young man who's in love from the moment they meet. She agrees to act in Ben's movie (which dovetails with her own ambitions), then quickly becomes something implausibly like his friend. If Fisher's screenplay plants some land mines for the cast to navigate (Perez has to sell some pretty non-shrinky attitudes and dialogue, for instance), his presence in front of the camera is a more general hurdle. The untrained actor is the weakest link in an already hit-and-miss cast, and few viewers will respond to Ben's unearned bravado. Ben often says of his bipolar disorder, "I prefer to call it 'recklessly extravagant. '" But the movie conveys neither the heedless optimism nor the despondency that makes people like Ben so challenging for those who love them. The plot requires him either to be more charismatic than he actually is, or to be so pitiable a beautiful stranger would indulge his dreams when they're clearly doomed to fail. Like the film's never-explained title — press notes reveal it to be a private autobiographical reference — the movie seems to be made for its creator more than anyone else. Production company: Act 13 Distributor: Act 13 Cast: Aaron Fisher, Ellen Toland, Rosie Perez, Catherine Curtin, Paul Schulze, Rita Raider, Katie Claire McGrath Director-Screenwriter: Aaron Fisher Producer: George LaVoo Executive producers: Christine Vachon, Danny Fisher, Javier Gonzalez Director of photography: Josh Fisher Production designer: Sally Levi Costume designer: Zinnia Kim Editors: Aaron Fisher, Esteban Uribe Casting directors: Ellyn Long Marshall, Maria E. Nelson 90 minutes.
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